Part 6 – Significance in action-applications

Significance assessment is only the first part of the significance process. Once an item or collection has been assessed as significant, a range of actions, called ‘applications’, flow from the assessment.

Click on the thumbnail images that interest you to see how some collecting organisations have used significance assessment to better manage their collections, to make them accessible, and to advocate for their importance to the community.

Attributed to Thomas Barrett | The Charlotte medal 1788 | 74mm diam | Photo: Andrew Frolows | Reproduced courtesy of the Australian National Maritime Museum

ACQUISITION…

of the Charlotte medal

Bark cloth draped over a roll of woven coconut fibre matting, adjacent to an access ramp | Adventist Heritage Centre and South Sea Islands Museum, Cooranbong, New South Wales | Photo: Roslyn Russell

COLLECTION CARE…

of South Sea Islands artefacts

Some of the over 6000 items deaccessioned by the National Trust of Australia (Western Australia) | Photo courtesy of the National Trust of Australia (WA)

DEACCESSIONING…

of 6 000 items from the National Trust of Australia (WA) collection

Copying and Digitisation

COPYING AND DIGITISATION…

of the James Gleeson Oral History Collection

The Bentley in front of The Lodge after conservation | Photo: George Serras | Reproduced courtesy of the National Museum of Australia

CONSERVATION TREATMENT…

of Prime Minister Menzies’ Bentley

Policy and minimum requirements for management of cultural collections (2006) | Report cover reproduced courtesy of the University of Melbourne

COLLECTION ANALYSIS AND POLICY DEVELOPMENT…

at the University of Melbourne

The raising of the original flag after being repaired in Townsville, 16 September, 1951 | Reproduced courtesy of the CityLibraries, Townsville City Council

COLLECTION RISK ASSESSMENT…

of Australian flag fragments for priority salvage

Springfield, Goulburn | Photo: George Serras | Reproduced courtesy of the National Museum of Australia

IN SITU COLLECTIONS…

documenting the Springfield sheep station collection before transfer

Arthur Boyd | Portrait of Manning Clark 1972 | Oil on canvas | Reproduced courtesy of the National Portrait Gallery

SHARED COLLECTIONS…

managing the Manning Clark portrait between private and government collections

Map accompanying report of John Henderson, Colliery Manager, 8 May 1827, 78/1/2, Private letters received by the Governor of the Australian Agricultural Company from the General Superintendent in Australia, ff. 186--189 | Reproduced courtesy of Noel Butlin Archives Centre, Australian National University

ADVOCACY AND RESOURCING…

of the Noel Butlin Archives Centre

Danie Mellor, The contrivance of a vintage Wonderland (A magnificent flight of curious fancy for science buffs, a china ark of seductive whimsy, a divinely ordered special attraction, upheld in multifariousness) 2007 | Installation, mixed media, kangaroo skin, ceramic, synthetic eyeballs, wood and birds | Dimensions variable 400.0 x 760.0 x 760.0 cm | Reproduced courtesy of the National Gallery of Australia

EXHIBITIONS AND INTERPRETATION…

of an art installation in a travelling exhibition

Part of the burnt-out 50-inch telescope at Mt Stromlo Observatory incorporating parts of the Great Melbourne Telescope, 2004 | Photo: Nick Lomb | Reproduced courtesy of the Sydney Observatory, Powerhouse Museum

FUNDRAISING AND PROMOTION…

for the Great Melbourne Telescope

Bungaree: King of the Aborigines of New South Wales, Augustus Earle, 1826 | Lithograph | Mitchell Library, State Library of NSW, after an original painting on display in the National Gallery of Australia from the collection of the National Library of Australia

ONLINE EXHIBITIONS…

Bungaree lithograph in the Objects Through Time online exhibition

Nelcebee, Australia’s oldest powered ship now in need of restoration | Reproduced courtesy of South Australian Maritime Museum

FUNDRAISING AND PROMOTION…

for the Nelcebee

Olympic torch, used by Cathy (Catherine) Freeman Sydney 2000 Olympics, metal, designed by Blue Sky Design, made by GA & L Harrington, c. 2000. Part of the Sydney 2000 Games Collection. Gift of the New South Wales Government, 2001 2001/84/267 | Photo: Marinco Kojdanovski. Reproduced courtesy of the Powerhouse Museum, Sydney

ONLINE ACCESS AND EDUCATION…

at the Sydney 2000 Olympics website

Cover of thematic study: Her Story -- a collection of women’s stories, places and objects in the Hastings, Port Macquarie-Hastings Council, 2008 | Reproduced courtesy of the Port Macquarie-Hastings Council.

THEMATIC STUDIES AND REGIONAL SURVEYS…

Her Story at Port Macquarie

Australian Government’s Culture Portal website collection policy is described at <http://www.culture.gov.au/policy/>

ASSESSING CULTURAL HERITAGE WEBSITE QUALITY…

for the Australian Government’s Culture Portal

Bill Boyd, with his broad axe at Timbertown at Wauchope, where he demonstrated sleeper cutting in 1979. Bill is a third generation timber worker, and one of the last vernacular timber craftsmen who can build and restore a slab hut using traditional tools. Timber Stories recorded the skills and work of men like Bill Boyd, connecting the collections with people and places. Reproduced courtesy of Fairfaxphotos

THEMATIC STUDIES AND REGIONAL SURVEYS…

Timber Stories in the Hastings region

Riawe, a motor launch built in 1912, private owner, Tasmania | Photo courtesy of private owner and Australian National Maritime Museum, Darling Harbour, Sydney

NOMINATING TO A REGISTER…

Riawe to the Australian Register of Historic Vessels

Flinders University student, Jenna Randall’s Report for the Collections Council on collections mapping available at http://www.collectionscouncil.com.au/collections+mapping.aspx

COLLECTIONS MAPPING…

read a report on Collections Mapping

Kitty Kantilla | Pupini Jilamara circa 1990s | Ochre on bark | Reproduced courtesy of Jilamara Arts and Crafts Association

APPLYING FOR A GRANT…

Jilamara Arts and Crafts collection to the Community Heritage Grants Program

Jai Paterson, Roving Curator for Arts Tasmania, teaching museum volunteers at Oatlands Courthouse, Tasmania | Photo: Elizabeth Adkins | Reproduced courtesy of Arts Tasmania

SIGNIFICANCE TRAINING…

across Australia

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